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Mauro Cristofani - pictures and narrative: IMAGE AND NARRATIVE

Mauro Cristofani - pictures and narrative: IMAGE AND NARRATIVE DIALOGUE BETWEEN
Aubrey Beardsley Cristofani MAURO AND ON ART AND THE BREACH
(the scene takes place at the Savoy in London, including mirrors, stucco and silver in the smoking room from which women are categorically banned)
C.-Mr. Beardsley, I supposed.
B.-Yes, Sir. May I help you?
C.-I introduce myself? I am an Italian artist of a century next to you and much that I wanted to know.
B. (with skepticism) - I know some Italian artists of the 900, but it seems that few have been able to follow the groove of the line, design and beauty that I and some others, heirs of a great tradition, we have outlined. Above all, I think it has failed a bit 'everywhere, but especially in Italy, the transgression.
C. (annoyed) - yet, as a transgression meant in a sense, it seems that no Italian artist of the '900 is immune ...
B. (with a slight air of compassion) - the transgression, my dear, is not a concern with who you apartment when you have not seen: in this sense, all Italians are masters! The transgression is substance and form. E 'substance in the sense that it is aware of the transgression, to the bitter end, to burn his own life in a few years, as has happened to me. And it's form, as you shall see, to perceive the work, just like you see in the artist's life ... Do you agree?
C.-Of course I agree. Just this fact, I try to show, making sure that the transgression of life with that of art. B.
-Very well. But living on the lability of the transgression of the border between that and suggested: one should not always stating it is often preferable to refer you to sign suggestion ... Of course with clear and clean enough to conceal unspeakable turbidity.
C.-It 's the breakthrough that I strive for years ... If I want to focus on how the centurion kills Sebastian, I must clear the surrounding world in a single hatch, as in the gold of Byzantine mosaics, because the off- sign of his transgression.
B.-Well, my friend. I see that, finally, also in Italy there is any artist who knows the offense and practice seriously and with commitment. Good work, therefore, and do not forget that the scandal is the nourishment of art. C.
-course, art is food scandal. Farewell. MENTION

EZIO MAURO Cristofani (maurocristofani@gmail.com) actively participated in the latest artistic seasons. Among his most important exhibitions, will be remembered for SATYRICON (Lucca 1980), LES VIEUX Chapeaux (Paris 1982); EROTICA-heroic from Catullus Virgil (Verona 1985); EPHEBEIA (Amsterdam 1989), CATS AND fawns (Tirrenia 1992); THE ROOM AND OTHER AREAS OF THE CAT (Pisa 1997); SEX STORIES AND NATURAL